The high-heeled powerhouse that is Kinky Boots has strutted into the Theatre Royal Nottingham this week with all the razzle-dazzle you’d expect, though not without a few stumbles along the runway.
Let’s start with the standout: Johannes Radebe’s Lola is simply magnetic. With effortless charisma, total command of the stage, and sublime movement, Radebe delivers a performance full of grace, power and wit. Every number bursts with personality, and Lola’s emotional journey is portrayed with both humour and heart. From the show’s most glamorous numbers to its quieter moments, Radebe is unmissable.
Courtney Bowman as Lauren is another triumph. Her comic timing is razor-sharp, her vocals are soaring, and she has that rare ability to act through song so completely that even the daftest lyrics land with authenticity. Her rendition of “The History of Wrong Guys” is a riotous highlight, showcasing her skill for physical comedy and warmth.
A surprise gem of the evening is Scott Paige’s George. A smaller role, but one played with subtlety and style. His bursts into high camp are expertly timed and provide just the right comic lift without ever tipping into caricature.
The set design, particularly for the factory, is solid and functional, offering both depth and vertical interest. However, the production struggles to transform beyond this space, making scenes that move away from the factory floor feel undercooked and visually flat. Ben Cracknell’s lighting helps elevate moments here and there, offering a bit of sparkle, though not always enough to distract from the lack of scenic shift.
Leah Hill’s choreography is smartly deployed; dynamic without being overbearing, and executed with crisp precision by the ensemble. Numbers like “Everybody Say Yeah” land with punchy rhythm and infectious energy.
Musically, the show remains a joyful blast. Cyndi Lauper’s score may have its lighter moments, but it’s packed with catchy hooks and emotional heft. Songs like “Raise You Up” and “Soul of a Man” deliver on both fronts: fun and depth.
Where this production falters, however, is in the characterisation and arc of Charlie Price. The writing and direction of Charlie feel muddled here. His motivations are unclear, and key emotional beats, particularly his outbursts, seem to come from nowhere. This version leans heavily into an unlikeable reading of Charlie that feels unresolved by the final curtain, leaving his redemption arc feeling half-earned at best.
Costume-wise, it’s a mixed bag. Lola’s looks are generally stunning, as expected, but the Angels’ outfits lack cohesion and polish. Some look show-ready, while others seem oddly unfinished. For a show that celebrates glamour, individuality and style, this inconsistency jars.
Overall, this Kinky Boots still manages to raise the roof. The energy is high, the message is as powerful as ever, and Radebe’s Lola alone is worth the ticket. With a few refinements, particularly to Charlie’s arc and some costume design, this production could shine even brighter. As it stands, it’s an imperfect but thoroughly entertaining night out.
Kinky Boots plays at the Theatre Royal Nottingham until Saturday 5th July 2025 where it will continue its UK tour. More information available here.
Photograph throughout from Pamela Raith
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