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REVIEW: The Woman in Black – Nottingham Theatre Royal – Nottingham
In the dimly lit auditorium of Nottingham’s Theatre Royal, I recently found myself immersed in the spine-tingling world of “The Woman in Black,” a ghostly tale that unfolds with haunting brilliance on the stage. Susan Hill’s acclaimed story, brought to life by Stephen Mallatratt’s ingenious adaptation, is a captivating journey into the supernatural. The narrative…
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Hadestown announce West End transfer cast
Casting has been confirmed for the highly anticipated West End premiere of multi award-winning Hadestown which will open at the Lyric Theatre, London with performances from Saturday 10 February 2024. Winner of 8 Tony® Awards including ‘Best Musical’ and a Grammy® Award for ‘Best Musical Theatre Album’, Hadestown returns to London five years after its sold-out run at the National Theatre…
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REVIEW: Calendar Girls – Regent Theatre – Stoke-on-Trent
Gary Barlow and Tim Firth’s “Calendar Girls,” touring to Stoke’s Regent Theatre, immerses the audience in the heartwarming and often humorous tale of a Yorkshire W.I. group’s unconventional charity efforts. Premiering in 2015, this musical adaptation weaves together the threads of humour, optimism, and unexpected brightness, creating an emotionally resonant narrative and leaving the whole…
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REVIEW: Cowbois – Swan Theatre – Stratford-upon-Avon
All Things Theatre is delighted to publish this guest review from theatre critics in the making: Meri, Jay and Imogen. Mixing an archaic movie trope with modern queer magic is no simple process, but Charlie Josephine really left no stones unturned in writing this racey wild western play. With a simplistically dynamic set and eye-catchingly…
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REVIEW: Treason the Musical – Sheffield Lyceum – Sheffield
“Treason the Musical” presents a promising theatrical experience with the potential to burn brightly. However, it also faces some areas where it falls short of its ambitious goals. With a new take on the Gunpowder Plot of 1605, this musical promises a unique and thought-provoking theatrical experience, yet it leaves the audience with mixed feelings.…
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REVIEW: The Good Enough Mums Club – Birmingham Hippodrome – Birmingham
“The Good Enough Mums Club” is a musical that embarks on a whirlwind journey through the highs, lows, and sleepless nights of motherhood. The narrative of “The Good Enough Mums Club” revolves around five women who find themselves unexpectedly united by the shared journey of motherhood. Faced with the isolation, loneliness, judgment, and ever-elusive pursuit…
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REVIEW: Constant Companions – New Vic – Newcastle-under-Lyme
Constant Companions, a provocative production at Newcastle-under-Lyme’s New Vic theatre, explores the intricacies of human emotion, the evolving dynamics between humans and robots, and the potential manipulation of feelings in a society increasingly intertwined with artificial intelligence. In this thought-provoking play, Alan Ayckbourn weaves together three parallel storylines, each offering a unique perspective on human-robot…
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REVIEW: Oliver – Regent Theatre – Stoke-on-Trent
Lionel Bart’s, Oliver was bought to Stoke-On-Trent on 17th October 2023 by Staffordshire’s Stage Productions. The stage was transformed into a Dickensian dream, or nightmare, you decide. The set and lighting was perfect for the musical and a special mention has to go out to Ali Spender for the costuming decisions, as the costumes presented…
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REVIEW: Annie – Lyceum Theatre – Sheffield
Annie, the timeless musical set in the gritty backdrop of 1930s New York during The Great Depression, graces Sheffield’s Lyceum Theatre this week with a production that oscillated between moments of brilliance and occasional shortcomings. The show unfolds within a visual marvel, courtesy of Colin Richmond’s set and costume design, transporting the audience seamlessly to…
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REVIEW: The Bodyguard – Lyceum Theatre – Sheffield
“The Bodyguard” is making a pit stop at the Lyceum Theatre Sheffield in a long run of shows to complete a glamorous national tour. Where this show is certainly romantic and thrilling, it may be a little bit cliché for an audience anticipating a deeply hearty Whitney Houston rendition of the 1992 film. The art…
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