The current UK tour of Chitty Chitty Bang Bang, stopping this week in Stoke, is a dazzling spectacle that delivers on many fronts, though with a few pacing hiccups. The production, directed by Thom Southerland and boasting a stellar cast, brings Ian Fleming’s magical tale to life with stunning visuals and earworm melodies that will leave audiences humming long after they leave the theatre.
The cast truly shines in this production. Adam Garcia as Caractacus Potts is a particular standout, showcasing both his vocal talents and undeniable stage presence. His performance is heartwarming, full of charm, and just the right amount of eccentricity for the absent-minded inventor. Ellie Nunn as Truly Scrumptious brings grace and wit to her role, while Liam Fox’s portrayal of Grandpa Potts offers some delightful comic relief. The supporting cast, including Martin Callaghan and Jenny Gayner as Baron and Baroness Bomburst, are equally impressive, injecting the production with humour and energy.
Of course, no review of Chitty Chitty Bang Bang would be complete without mentioning the star of the show: the car itself. The stage magic behind the flying car is breathtaking and truly worth the price of a ticket alone. The car’s transformation scenes are mesmerising and had the audience audibly gasping in wonder. It’s a technical marvel and a visual treat.
Musically, this production hits all the right notes. The Sherman Brothers’ iconic songs such as “Toot Sweets,” “Hushabye Mountain,” and the titular “Chitty Chitty Bang Bang” are delivered with gusto, and they are as catchy as ever. These songs are beautifully orchestrated, making the live experience even more memorable. The musical supervision by George Dyer ensures a flawless sound throughout.
One of the biggest talking points, however, is The Vivienne as the Childcatcher. Stepping into the role earlier this month, she delivers a visually striking and haunting performance. Her appearance alone is chilling, and she brings an unsettling charisma to the character, which lingers long after she exits the stage. Vocally, she is strong, adding a menacing layer to the already sinister role.
The show is visually spectacular, with Morgan Large’s set and costume design creating a vibrant, whimsical world. The costumes are nothing short of beautiful, capturing the essence of the time period while also adding a touch of fantasy. From Truly’s elegant outfits to the playful designs of the Vulgarian characters, every detail is meticulously thought out and enhances the overall atmosphere.
Despite the many strengths of this production, the pacing is its main flaw. The first act, while full of enjoyable moments, feels overly long, and it takes its time to really get going. Conversely, the second act rushes towards its conclusion, leaving little room for the resolution to truly breathe. The climactic showdown and the resolution come and go so quickly that they almost feel anticlimactic after the slower build-up in the first half.
All in all, Chitty Chitty Bang Bang is a delightful, visually stunning production that brings joy to audiences young and old. The performances are top-notch, the music is as infectious as ever, and the car itself is an unmissable piece of theatrical magic. If you can overlook the slightly uneven pacing, this is a must-see show that delivers a truly fantastical experience.
Chitty Chitty Bang Bang plays at the Regent Theatre until Saturday 26th October where it will continue its UK tour.
Photography throughout from Paul Coltas.
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