Stepping into the Regent Theatre for “Only Fools and Horses The Musical” feels like reuniting with old friends. The beloved Trotter family and their eccentric entourage have leapt from the small screen to the stage, bringing with them the heart and humor that made the original BBC series a national treasure. This production, part of its extensive UK tour following a record-breaking four-year run in London’s West End, is a heartfelt homage to the iconic sitcom.
At the heart of this musical revival is an exceptional cast that channels the essence of the original characters with uncanny accuracy. As Del Boy, Sam Lupton delivers a performance that is nothing short of extraordinary. Emulating David Jason’s charismatic swagger, Lupton embodies Del Boy’s charm and wit flawlessly. His comedic timing and cheeky demeanor make it feel as though the legendary market trader has stepped right off the television screen.
Making his professional theatre debut, Tom Major is a revelation as Rodney. His portrayal captures the awkward innocence and exasperation of Del’s younger brother perfectly. Major’s vocal inflections and physicality mirror Nicholas Lyndhurst’s original performance, providing a comforting familiarity for longtime fans.
Philip Childs reprises his West End role as Grandad with warmth and humour. His depiction of Grandad is endearing, offering both comedic relief and touching moments that highlight the family’s bond. Georgina Hagan’s Raquel is a standout, her stunning vocals adding depth to the character. Hagan brings a captivating presence to the stage, particularly during her musical numbers, which showcase her impressive range and emotional expression.
The supporting cast, including Craig Berry as the ever-slick Boycie and Nicola Munns in the dual roles of Marlene and Cassandra, deliver strong performances that enrich the tapestry of the Trotters’ world. Lee VG’s Trigger is delightfully deadpan, eliciting laughter with every oblivious remark.
The musical features a number of songs, with contributions from the iconic duo Chas & Dave. While the inclusion of music adds a new dimension to the story, the songs often feel more like interludes than integral parts of the narrative. Many of the numbers, though entertaining, come across as gimmicky—perhaps an attempt to ride the coattails of successful musical adaptations of other beloved British comedies.
The reimagined theme tune is a nostalgic highlight, cleverly arranged to elicit smiles from the audience, though it has too many reprises. However, several songs seem to halt the momentum rather than propel the story forward. Despite this, the cast’s energetic performances and strong vocals keep the audience engaged.
The set design is practical but lacks variety. Primarily depicting the Trotters’ flat and the Nag’s Head pub, the settings become repetitive over the course of the show. Given the rich and varied backdrops of the TV series—from bustling markets to luxury apartments—the production misses an opportunity to explore more dynamic and creative staging that could enhance the storytelling.
The script, penned by Jim Sullivan (son of the original creator John Sullivan) and Paul Whitehouse, is a faithful adaptation that captures the spirit of the original series. Packed with classic one-liners and references, it feels like a greatest hits compilation of fan-favorite moments.
Director Caroline Jay Ranger maintains a brisk pace, ensuring that the comedic beats land effectively. Her familiarity with the material shines through, particularly in scenes that require precise timing and nuanced interactions between characters.
“Only Fools and Horses The Musical” succeeds as a tribute to one of Britain’s most cherished sitcoms. It’s a joyous romp through the misadventures of the Trotter family, filled with laughter and a touch of nostalgia. The production embraces the quirks and charms of the original, offering fans a chance to relive memorable moments while introducing the characters to a new generation.
While the musical elements may not add substantial depth to the story, they do little to detract from the overall enjoyment of the show. The real strength lies in the performances and the writing, which together create an experience that feels both fresh and comfortingly familiar.
For fans of the original series, this production is a must-see—a lovingly crafted homage that brings the world of Peckham to life on stage. Even those less familiar with the Trotters will find plenty to enjoy in the humor and heart that permeate the performance.
So, grab your tickets and prepare for a night of “lovely jubbly” entertainment. As Del Boy might say, “He who dares, wins!” Only a 42-carat plonker would miss out on this delightful trip down memory lane.
Only Fools and Horses The Musical plays at the Regent Theatre until Saturday 7th December 2024 where it will continue its UK tour.
Photography throughout from Johan Persson.
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