Stage Productions’ amateur staging of Shrek the Musical is a triumphant, laugh-out-loud joyride packed with heart, humour, and some truly fantastic performances. Bursting with colour, energy, and character, the show proves a firm reminder of why the musical, based on the DreamWorks animation, is such a favourite for audiences of all ages.
From the very first swampy note, Scotty Armstrong commands the stage as Shrek. His vocals are nothing short of exceptional, handling both the comedic patter and the more emotional moments with real finesse. “Build a Wall” is a particular highlight: a powerhouse number that’s performed with intensity and control, showcasing Armstrong’s vocal depth and emotional nuance.
He’s matched brilliantly by Kayleigh Ann Strong as Fiona, who brings both fierce humour and sincere vulnerability to the role. Vocally strong and bursting with charisma, her performance is both endearing and engaging. The chemistry between Shrek and Fiona is believable and charming, particularly in the delightfully crude “I Think I Got You Beat.”
As the diminutive villain, Will Henshall delivers an absolute tour-de-force performance as Lord Farquaad. His comedic timing is razor-sharp, and his physicality, hilariously enhanced by those ever-entertaining tiny legs, is a continual crowd-pleaser. Vocally, he’s excellent, and his performance elevates every scene he’s in.
Nathan Adams struts and sparkles as Donkey, bringing the role to life with heaps of sass, energy, and rhythm. His movement, vocal inflection, and comic timing combine to make him a consistent scene-stealer, particularly in numbers like “Don’t Let Me Go.”
The supporting cast are also worthy of praise. Miles Lesniak makes for a standout Pinocchio, bringing a clear, characterful vocal to every scene, while Emily Durber excels as both Sugar Plum Fairy and Gingy, delivering impressive vocals and great comic characterisation.
The ensemble’s commitment cannot go unmentioned. Each member is full of energy and conviction, whether in the dance breaks, background moments, or big chorus numbers. The choreography (courtesy of Grace Forrester) is well-drilled, suiting the fairy-tale madness of the show perfectly. Numbers like “Freak Flag” benefit from this energy, driving home the musical’s message of self-acceptance and unity.
Technically, the production is a triumph. The set is highly effective, transporting the audience from swamp to castle to dragon’s lair with imagination and flair. Costumes are well-executed, adding extra sparkle and character, while the lighting and sound design support the action smoothly.
Special credit must go to the orchestra under Musical Director Jonathan Cliffe. The band sound phenomenal throughout, delivering Jeanine Tesori’s rich, varied score with real polish and vibrancy. From driving percussion to the sweet strains of the strings and reeds, every section contributes to a professional, powerful musical experience.
In short, Stage Productions’ Shrek the Musical is a swampy success: heart-warming, hilarious, and packed with talent. With standout leads, a strong ensemble, and glorious music-making throughout, it’s a show that proves community theatre can hit just as hard as the West End when passion and talent align. It’s worth saying that I saw the professional touring production of this musical last year and Stage Productions did a considerably better job. Fun for all the family, and performed with real flair—this ogre-sized hit is not to be missed.
Shrek the Musical runs at the Regent Theatre until Saturday 28th June. For tickets, click here. For more information on Stage Productions, please click here.
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